Born in Mantua Leonardo Zunica studied at the Verona Conservatory, at the Hochschule für Musik Vienna, and at the Moscow State Conservatory. His teachers include Renzo Bonizzato, Virginio Pavarana, Jurg von Vintschger, Alfredo Speranza, Kostantin Bogino, Lev Naumov, Irina Chukowskaya. Guest in national and international festivals as a soloist and chamber musician, Leonardo Zunica has performed in Italy, France, Spain, Scotland, Finland, Ukraine, Croatia, Switzerland, Greece, Russia. Interested in contemporary music he curated the first performances of solo and chamber music by Luigi Manfrin, Gabrio Taglietti, Eero Hämmeeniemi, Evgen Stankovich, Corrado Rojac, and italian young composers. His concert repertoire includes complete piano four hands works by Debussy (with original trascriptions), chamber music by Olivier Messiaen (Visions de l’Amen, Quatour pour la fin du temps, Oiseaux Exotiques and other works, Fantaisie (first italian and ukranian performance ), George Crumb (Makrokosmos vol I, III, IV) and monographic projects with chamber and solo music by Mozart, Chopin, Brahms, Gershwin, Satie, Szymanowsky, Gershwin, Piazzolla, Tchaikowsky, Cage, Reich, J.L.Adams, Shostakovic, and several solo works up to Murail. His activity includes collaborations with Oleksandr Semchuk, Anton Dressler, Gabriele Mirabassi, Maria Ala-Hannula (Ebony piano duo), David Cohen, Federico Mondelci, Quartetto Maurice, Stefano Giavazzi, Trio di Mantova. His collaborations include those with contemporary music ensembles such as Gruppo Musica Insieme (Cremona), Dedalo Ensemble, Icarus ensemble, Sentieri Selvaggi, and, as a soloist, with orchestras such as the Verona Arena Orchestra, I Virtuosi Italiani, the National Orchestra of Ukraine. He collaborated also in special project with Ivano Fossati, Iaia Forte, Alessandro Vanoli, Tiziano Fratus, Giulio Busi, Giovanni Bietti, Guido Barbieri, Sandro Cappelletto. His cd releases include Concerto for piano, violin and string quartet op. 21 by Ernest Chausson (Da Vinci) the Debussy First book of Préludes including recording of historical piano trascription of "Prélude a l’après-midi d’une" faune by Leonard Borwick (Da Vinci) and concept album Contrappassi, with Leandro Lo Bianco (Stradivarius)_